Washington Director of Photography
About
Jorge is a freelance filmmaker with nearly 20 years experience of producing, directing, lighting, cinematography, and editing works including but not limited to documentaries, commercials, music videos, films, social media content, corporate videos and even live-surgeries. He’s worked for brands like Adidas, Clinique, organizations like the National Parks Association, American Cancer Society and Global Citizen. He’s also had the honor and privilege of working with high profile individuals and artists such as Philip Seymour Hoffman, Carly Rae Jepsen, madam secretary Hillary Clinton, and NYC mayor Eric Adams.
To see more of his work, visit www.jorgearzac.com
Video Portfolio (2)
Jorge Arzac VFX & Motion…
Note: The content shown does not reflect the personal views of artist. Projects shown: "Ergon Entertainment" Animated Film Company Logo.… View the Video
Cinematography Showreel
Thank you: Nic Yulo, Ariana & The Rose, Emlyn Johnson, Daniel Ketter, Liz Ran Yang, Anthony Goicolea, Amy Harvie, Nuria,… View the Video
Roles
Primary Roles
Secondary Roles
Equipment
Referrals (1)
5 Stars
I am pleased to recommend Jorge Arturo Arzac Gaubeca as an exceptionally talented filmmaker and visual storyteller. He has a remarkable eye for composition, detail, and visual storytelling, and consistently brings a strong creative perspective to his work.
Jorge has extensive skills in cinematography and lighting, with a particularly strong understanding of how light, framing, and visual atmosphere can enhance a story. He is also a highly skilled video editor, with a great sense of pacing, narrative structure, and visual coherence.
Beyond his technical abilities, Jorge is creative, detail-oriented, and deeply committed to the quality of his work. His combination of artistic vision, technical expertise, and attention to detail makes him a valuable asset to any creative production team.
I would highly recommend Jorge for opportunities in filmmaking, cinematography, lighting, video production, or editing.
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